Interiors Project

SADACC visit and initial thoughts

October 08, 2015

NOTES FROM SADACC VISIT

Southern Pakistan 
Wedding shawls 
Stitched by women 
Forkari stitching (flower marks) 
Bag- garden 
Silk floss on cotton ground 
Groups of women stitching together 
Bokni hand embroidered (special occasions) 
Flowers get denser or wider (patience) 
Majority or embroidery pieces 
Wedding shawls -19th century 
Most collection is late 19th - 20th century 
Not all about historical interest
Contemporary crafts 

Bangladesh -kanfa work quilting 
Cashmere European shawls -Norwich and French 

South India- Kali hasti 
Pen work (Cala) 
Block printing and hand painting 
Islamic influence as well as South Indian 
Temple murals 
Wax resist and block printing repeat

Gojra bright colours printing and embroidery 
Sahri yarns are dyed before woven. Create coloured patterns 

Technique in small West Indian rogan hot oil and pigment dribbled on- repeat but not completely even 
Individual and not as commercial wobari women sheparding community- tie dye and dense embroidery 
Dhariwai embroidery banned too much time 
Using rick rack to create the same look but less time consuming 
Torans decorative banners- glass beads form Venice 

Rajasthan tell a story lighting with candle to view parts at night time 
Printing by groom and embroidered by bride 

Older textiles can't be touched 

Manchester print 
Lotus rust print
Several blocks used 

Paisley motif associated with Scottish production etc 
Natural dyes and natural processes 
Mud resist printing 

1821 gallery using Indian textiles as inspiration paper collages 
Hormazd narielwalla  from london 
PhD in fashion 
Hand cut patterns are thrown away when died 
Narrative and story about a lady who travelled form Paris to India- encounters she met on the way, layers of meaning 
Clothes and patterns as architectures- building hold bodies so does clothes 
Dress patterns collages and block prints with gold dust- looking through French woman patterns and India 
Negative space from patterns - scrap paper that pattern
Re contextualising them by making them into something else 
Clothes were actually made, remade into something else 







Indian textiles by John Gillow and Nicholas Barnard  Gillow, J. and Barnard, N. (2008) Indian textiles. [New edn.]. London: Thames & Hudson.

Banjar Embroidery
Eastern Sind- Saami (patchwork cotton quilt page 117)

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