Placement

Another day with Aviva!

January 27, 2016

Today I met Aviva and we traveled to her Happisburgh studio to prepare for the Makers Month Event in Feb! We sat and planned last min things such as the children's activities on the Tuesday and Thursday and chatted about my denim patch works. I up cycled 2 tables, a chair and a 2 metre stand/rail (which we are using to hand the giant patchwork at the end). I sanded and painted them using chalk paint, this gave so many ideas of my own, for the future. We plan to have all of this lovely up cycled furniture in the forum atrium for people to get in the spirit of slow, mindful, conscious making. In the blue table we plan to make markings on the edges of the table to replicate stitches and sashioko like in my denim patchwork- I think this would look really quirky add an extra handcrafted touch to it.  In the evening time I deconstructed a second hand lampshade which was part of a large floor lamp. I was left with the wire frame where I weaved, tied and loopeed the shredded fabric which I made in to yarn beforehand, in an out of the wire. I only used old pieces of fabrics, continuing the up cycling, reclaiming, reusing theme. The end result was brilliant and i think the collection of furniture will tie the whole workshop together. The next time I will see Aviva is the day of the forum event but we plan to have phone calls between then, confirming any last minute details that might crop up.  Aviva shared so much wisdom with me and I feel like I have learnt an incredible amount with Aviva, I feel privileged to have had my placement with her.




Fashion Project

Time to get designing!!!

January 10, 2016

I realised how many experimental samples I have got, especially for my Interiors project where I have been using sublimation printing. I must get a move on with some designs and choose my final ones so I can continue on with my other projects.


To Do this week:

Multiple different designs for Interior (to choose finals from)
   -print out in black and white on acetate and hand in to Neil for screen exposure x3
   -complete a digital design 
   -choose a design on fabric to duplicate or develop as final 
   
Arrange and post timetable fro Aviva Leigh forum event to volunteers
Begin sketchbook for new project- Bradford competitions
Catch up on at least 5 blog posts
Research into visible mending 
Attend meeting at study centre about darning etc
Design and begin repeated patchwork    
Get screens exposed for Fashion Project prints
   -tiny sashiko stitches
   -shibori design 
Experiment and enquire about discharge on indigo and denim
Possibly use white pigment on denim?


insert photo of weekly plan

Fashion Project

Devore Disaster

January 07, 2016

I tried to devore onto denim not thinking about the fibre content. It obviously ate away at the cotton and I was left with a distressed frayed effect, I thought of this as a disaster at first but realised I could use this in my boro sampling. I looked at boro examples again and discovered that the denim was shredded and distressed!!! This fits perfectly!
I then tried devore onto a cotton polyester but this also ate away most of the cotton and I was left with very little again. I plan to do this more to add to a Boro sample- then repeat this as a final.

I also devored onto my favourite sublimation repeat design (which i was going to use as a final sample) and was crossing my fingers that it would go well but I stupidly put it in the heat press for too long!! It unfortunately went black and I had to wash it various times. It still isn't how I planned but I guess mistakes happen. I do like how the fabric has changed quality, it is much thinner as the cellulose fibres have been eaten away and the synthetic fibres have been left.


Fashion Project

Denim Research

January 06, 2016


A fabric called “serge de Nimes,” was known in France prior to the 17th century. 
Meanwhile, there was also a fabric known in France as “nim.” Both fabrics were composed partly of wool. So, how has the word “denim” thought to be from the word “serge de Nimes?" Serge de Nimes was made of silk and wool, but denim has always been made of cotton. This is a relation between fabrics that is in name only, both fabrics are a twill weave, this is the only connection and relation of both fabrics. 
At this same time, there was another fabric known as “jean.” Research on this textile indicates that it was a "fustian", a cotton, linen and/or wool blend. The fustian of Genoa, Italy was called jean; this is where we see evidence of a fabric being named from a place of origin (unlike the confusion between the origin of the word denim).
I8th century jean was made completely of cotton, and made to make men’s clothing, mainly for its property of durability even after many washings. Denim was stronger and more expensive than jean, and though the two fabrics were very similar, they did have one prime different. Denim was made of one coloured thread and one white thread whereas jean was woven of two threads of the same colour. I never knew this difference and I am intrigued and will keep an eye out at and look closely to the weave of the denim. 

Research shows that jean and denim were two very different fabrics in 19th century America. American advertisements show working men wearing clothing that illustrates the difference in usage between jean and denim. Mechanics and painters wore overalls made of blue denim; working men in general (not engaged in manual labor) wore more tailored trousers made of jean. 

Interesting Selvedge Denim Video:





http://www.levistrauss.com/wp-content/uploads/2014/01/A-Short-History-of-Denim2.pdf
http://theswatchbook.offsetwarehouse.com/2014/09/16/what-is-raw-denim/
http://www.wgsn.com/blogs/fashion/denim/