Today I played around further with the wood from the uni shop as this has worked well previously with sublimation. I applied a paper weave (scanned and printed on the sublimation printer) to a small piece of wood, it turned out really well and I am so pleased with it. I applied skinny pieces of masking tape in stripes on the wood before printing to see if it would resist or do something interesting. The texture is still there despite it being a fairly flat print from the sublimation process, the masking tape really boosted the tonal value, the colour became more vivid on the masking tape therefore there was brighter vertical stripes of the printed weave which adds something interesting.

I spent the rest of today scanning in my other experimentations on wood, paper, fabric and woven polyester to play around with in photoshop. I have been trying to think further about context. After researching this week, I have found that one of the best options of flooring to use would be vinyl so I need to further look into this material and possibly try printing on this to see what would happen, as well as creating a suitable digital print of my combined textural compositions. Furthermore, I applied the wooden samples to the floor and photographed them as well as arranging the compositions and angle of them to replicate the parquet floor design. I also further developed this idea by using photoshop to 'sort of' repeat the wooden samples to again, replicate the parquet design (suggested by Will Crisp last week). I then realised I wanted a "patchwork" of my designs onto the floor, so I used the power of photoshop to apply some designs from drawings, prints, weaves and "object collages" to overlay this on to some scanned in wood and then play around with them physically after cutting them out.

I need to consider a few more things and ensure that I get this project fairly finished in the next couple of days to ensure I keep to my schedule and on top of the work load. 

Questions to ask myself:

How many final designs do I want or need?- check and read over project brief again

Do I need to further research into wall material and floor materials in hostels?

How do I contact various hostels to gain more research?

Pat Francis' session today was so inspiring, it made me think in different ways, doing things differently and making things easier for myself. Pat touched on how to reflect, refine and consider research differently, through ideas and metaphors which help you remember them. As we are creatives, she showed us 'hands on' ways to narrow down research and describe objects in a detailed manner.

What I will take from todays session:

• Write it down, edit it later (WIDLE)- I find myself getting stuck and giving up easily, once in the flow of writing, Pat said that things will come more naturally and you will be able to explain what you mean after going back to it. "if you cant think of a word-leave a space and go back later"
• Filter idea- start with broad ideas and points, filter it down to important ideas then reflect and dig deeper. (use a coffee filter as a physical example) 
• Brick by brick- third year is the brick wall, take things brick by brick, whether it is a sentence per brick or a project per brick.Take one thing at a time!
• Write a blurb if you get stuck. A blurb summarises your ideas which means it will get you back on track and make you realise what you are doing or what you want to be doing. (write this on a postcard as you can only fit a small amount on them)
• Do the same thing, in a different style. Whether practical or written, if you get stuck, Pat said to do that one thing in a different way, whether it is writing it differently, applying it to a different context etc. The shape you see things in different ways. 
• Brainstorm/list/break down/do bits/develop bits/join bits/re-order bits/do technical bits/proof read/finish. This handout was particularly handy, Pat stated that you didn't have do things in the order they would finally be in. She said to just write things down and refer to quotations and things will come together. She also finds it easier to the introduction at the end as many people find that daunting- which i do! She said to start off with a quotation and depict and unfold it as much as possible to then get a fully understanding. 

After weaving yesterday with the acrylic warp and polyester warp and the technical yarns for the weft, I have spent today sublimating on top of them with collaged scans of drawings, screen printed papers and woven materials. I found that the acrylic warp created a paler colour result, which looked interesting with a polyester or rubco yarn in the weft as it looked like small stitches and distorted the printed composition. I have documented my tests and findings in my technical file which has helped me remember the timings and techniques used with the heat press. I also found that the leftover sublimation paper had insetting patterns and textures on it (which translates well to my drawings). The weave acted a resist when removing the colour- I could purposely do this and use objects as a resist to create a more textured sublimated paper and then continue to scan this and enhance it. I plan to either use this interesting paper as a secondary print or even scan this in and digitally enhance it then print it again using sublimation to then apply again to fabric.

When heat pressing the weave with cables in the weft, it did move a lot and curl which made the weave turn into a melted curve shape which I didn't think was particularly strong. I could use the cables further by inserting them into paper weaves or other weaves to create an unconventional weave structure.

After finishing off the warp on my rigid heddle loom the other day and printing on some samples (fairly successfully) I thought I must warp it up again today with some polyester, so I can test out printing on them again with sublimation. It only took me a couple of hours to thread it up. I used some plain white polyester from fairfield yarns and also thought I would try out using some white acrylic yarn that I found in a charity shop. I thought I would try and put both of these warps on the loom in one go to see how that worked?

Todays lecture from Amy Cogden was massively inspiring. She explained her process and journey from NUA in 2009 to where she is now, studying her PHD. It was so inspiring to hear her experiences and her problem solving and determination. Her interests with science and bacteria doesn't directly link to my current work but I do find it really exciting. I love her rigorous use of documentation and recording; it has reminded me to record well to get the best results. She also explained how she reflects and refines to ensure she doest go off on a tangent- which I think relates to me right now. I am experimenting and playing with materials and keep finding my self getting too excited about the results and not recording them accurately enough to repeat the process again.

Today I enhanced some scans of my screen printed papers on photoshop to be then sublimated printed. I aimed to use these to collage with to transfer onto fabric and also other materials.

I am going to weave this evening with polyester to then print on with the collaged papers.
Today, I also experimented with three different yarns I ordered from Hand Weavers. I also aim to weave with these tonight on my rigid heddle loom to then print on tomorrow with the papers I printed earlier. I look forward to see the results as the three yarns and very different properties, which link to my structural drawings.

From the ideas from Nicks session, I gathered lots materials, like straws, cable ties and cables. I also had some found plastic mesh (which I have started to weave into) and old cables and wires that I had collected  . The idea was to weave and collage these found materials, which linked with my theme of colour on the street. I experimented with melting cables and straws etc then weaving, weaving them beforehand then melting them together to fuse them. This proved fairly difficult, as the cables and straws moved around a lot when under the heat press. The cables, laid side by side, crossed over or woven together didn't look how I hoped as the colours became merged and slightly muddy. They also didn't lay flat, I tried to solve this by using tape and other things to hold it down flat but it still didn't look right. I thought the idea was there, having the melted plastic encased my the unmelted wire which gave it structure, I just need to think about how I can develop and transfer this idea by using a different technique or material.
The melting of straws worked well I just learnt to wait for them to cool in order for them to keep their shape. This makes me think that maybe I could remove them quickly from the heat to then shape them so they cooled and kept the shape I put them in? I collaged and melted the straws together more but realised that the colours were letting me down. I then bought some wider, clear straws, in the hope I could dye or print on these. Hopefully I can weave with these, then print on top, print on top or them or dye then and then weave them together? I could also think about melting them onto other found materials like wood or cables?

Todays tutorial with Will was super helpful! The ideas from yesterdays session have already developed and I think my context is finally sorted! Will gave my ideas to apply my designs to a Hostel context and designs for flooring. Which has made me think further about how I could sample! I plan to experiment widely with materials and material manipulation with colour and collage and then I plan to scan these in and digitally manipulate them applying them to some type of flooring? He gave me the idea of the parquet flooring which gives me an idea on how it will look- a structured textured patchwork floor! I need to research into the types of materials that would be suitable for a Hostel; thinking about durability, cleaning, longevity and design. I will be designing for St Christopher's Inn hostel, imagining that there is one in Norwich. I found that in the collab projects in year 2, setting myself a clear precise brief helped me so much, doing this will keep me on the right tracks and enable me to research fully into the context and materials. I need to email St Christoper's Inn and ask them some questions about material and design. I also need to speak to flooring companies.

I was thinking about also designing for the walls as well as the floors, maybe evening combining them so that the design doesn't stop at the floor and carries up on the wall? I need to find a material that is suitable for both. I also need to check how many final designs I need as this will change how I design things.

I have used the my first fabric collages (sublimation) to help me visuals the floor and wall concept, folding the fabric in half at a right angle, to make it look like a room. I find this an easy way to think about scale and design.

Will also suggested looking at Kinship on WGSN which looks at global and cultural patterns combined, he specifically said too look at the video! He advised to photography my collages of materials and drawings on different surfaces like old tile floors and use found, inappropriate objects to inform the photographs. He suggested to even recreate traditional flooring, like I said before- looking into parquet flooring and researching into different flooring designs. I like the idea I had of applying the floor to the wall so that the floor doesn't stop- I need to see how practical this will be in the hostel though!


[insert scan of pink sheet]

Today was really useful to see others' work and see the different stages people were at. I described my troubles with sampling and context and felt like I was helped and given so many new ideas. I could combine weave and print (as I had already thought) but not necessarily just weave with yarn? I could use rubco yarn and search for more yarns that melt or do interesting things? Nick suggested to use wires and cables as well as other found yarn-like materials. Working with found wood was also suggested to me which I feel like I will take on board. This reminded me of a book I read in the library in the first week of this project about a lady who made "scrap quilts" out of colourful shapes of wood. This has made me think about creating collages and compositions of materials and drawings and photographing them in different ways.
I am still thinking about something in Airbnb for my context but not much was said about that- this is something I can speak to Will about tomorrow? I just want my context to be sort of public which links to travel and hospitality.

Knowing I had to move my work further from my drawings, I began scanning in my paper weaves and collages. I edited them slightly on photoshop then spoke to Neil about sublimation printing so I could quickly lay down my loose colour palette onto fabric and start manipulating. After printing my imagery, textures and colour out, I started carefully cutting and tearing using my drawings to guide me. I explored different polyester fabrics, some worked better and others made the colour more muted. This was due to the cotton content in the fabric. I am looking for fairly bright, true colours so I need to be mindful of what fabrics I choose to use. As I was just testing out this process today, I was using off-cuts of fabric but I will continue this on Monday and will buy the polyester jersey fabric, which worked well today. I really like the quality of my samples today, it has made me think further how I could develop this. I could further use weave/ structured elements by weaving fabrics yarns or papers, as I think my drawings look like they could relate well to weave. This actually was my planned sampling method- but I don't mind if things don't go as planned. I like how this process has just worked for me, just from a few small ideas from Jill's workshop on Wednesday.

This weekend I plan to continue researching context and gather my sampling and materials to build up my research files, I also want to finish off my mood boards so they are ready for monday's session.

I have a good collection of drawings and ideas/research now but just unsure how to sample- is this partly because I am still not certain on my context?
Jills workshop today has helped me translate some drawing into print, it has helped me refine the shape and line in my work. Today has enabled me to think how I could further develop these mini samples i have quickly created from my drawings. I essentially see this samples as more drawings as I collaged the sublimation papers together and then transferred them onto fabric- I really like the results but I feel as if they need more texture to them.

 I could sublimation print with some of my scanned drawings, colours or designs on photoshop and combine collage techniques with these- also could try different materials to sublimate onto? Could melt materials with sublimation print?
I could also use weaving as a base for sublimation? I could weave polyester fabrics then print on top?- would I have to re warp my rigid heddle loom (currently has cotton warp)? what would happened if I had two different fibres in weaves?
I could weave with indigo warp and use log cabin technique to relate block colours and collage drawings?

I have a  lot of things to think about, I need to continue drawing and decide on my context in detail to then help me with my sampling options.